Prof. Shane Chalmers

Assistant Professor

PhD, Australian National University, 2016
LLM, McGill University, 2011
LLB (Hons), University of Adelaide, 2010
BIntSt, University of Adelaide, 2007


Biography

Shane Chalmers joined the University of Hong Kong Faculty of Law as an Assistant Professor in 2023. He researches and teaches across ‘law and the humanities’, with a critical focus on the endurance of European colonialism in laws and societies today. His work has contributed to the sub-fields of law and colonialism, law and literature, international law and development, and critical legal theory.

Shane is also an Adjunct Associate Professor at Adelaide Law School; a long-standing member and currently a Vice President of the Law, Literature and Humanities Association of Australasia; and Book Review Editor of Law & Literature journal. He has previously worked at Adelaide Law School (2021-2023) and Melbourne Law School (2017-2021).

Shane’s major publications include The Colonial Legal Imaginary: A Carnivalesque Jurisprudence (Cambridge University Press, forthcoming), which examines the legal imaginary that shaped and was shaped by the colonisation of Australia in the nineteenth century. The book shows how this imaginary worked to dispossess, dehumanise, and disempower First Nations through its forms of property, dignity, and sovereignty; and it aims to unsettle these legal forms, and open them up to reimagination. In doing so, it develops a ‘carnivalesque jurisprudence’, which uses the Bakhtinian figures of the clown, the fool, and the rogue to examine and represent the colonial legal imaginary, using an idiom of laughter that is critically potent as well as generative.

He is also author of Liberia and the Dialectic of Law: Critical Theory, Pluralism, and the Rule of Law (Routledge, 2018), which examines the legal formation of Liberia from its conception as an idea of liberty in the nineteenth century, through its establishment as a republic in the twentieth century, to its post-war reconstruction at the beginning of the twenty-first century with assistance of an international intervention to establish a state based on the rule of law. The book contributes a critical understanding of the role of law in the formation of Liberia, and the implications of the state’s historical formation for law and justice today, in Liberia and other international development contexts.

He is also editor of The Routledge Handbook of International Law and Humanities (Routledge, 2021) wih Sundhya Pahuja, and a special issue of Law & Literature on “Colonial Legal Imaginaries | Southern Literary Futures”, vol 36, no 2 (2024) with Desmond Manderson.

His current projects include:

The Colonial Imaginary and the Authority of Law in British Hong Kong and the Straits Settlements: a new multi-year research project that investigates the relationship between colonial law, art, and politics in British Hong Kong and the Straits Settlements, in order to better understand the complexities of colonisation and processes of decolonisation in the region. Two research questions guide the project. (1) How might a British colonial imaginary, with its repertoire of cultural representations, have sustained the authority of colonial law in Hong Kong and the Straits Settlements in the nineteenth and twentieth centuries? (2) How might the creation and dissemination of artworks have undermined the authority of British colonial law across this region, by disrupting its imperial representations? 

Legal Imaginaries Across the Asia Pacific: a collaboration with colleagues at the Australian National University, National University of Singapore, University of British Columbia, and University of Wollongong, which recentres the field of ‘law and literature’ in the Asia Pacific, and joins and strengthens a network of scholars who are working towards non-colonial futures across the region in this field.

Publications