Prof. Marco Wan 溫文灝教授
Professor
Director, Law and Literary Studies Programme
PhD., University of Cambridge
LLM, Harvard Law School
MA/BA Law (Hons)., University of Cambridge
BA., Yale University
Member, New York State Bar
CEDR and HKMAAL Mediator
Biography
Marco Wan is Professor of Law and Director of the Programme in Law and Literary Studies at the University of Hong Kong. His research focuses on the intersections between law and the humanities, especially law and literature, law and film, and the ways in which perspectives from the humanities shed light on the legal regulation of gender and sexuality.
His first book, Masculinity and the Trials of Modern Fiction (Routledge, 2017), examines literary trials in nineteenth-century England and France; it was awarded the Penny Pether Prize from the Law, Literature, and the Humanities Association of Australasia and the University Research Output Prize from HKU. His second book, Film and Constitutional Controversy (Cambridge University Press, 2021) explores how constitutional debates are refracted in Hong Kong cinema. His current work draws on literary and cultural theory to examine the legal regulation of sexuality. All three projects are supported by three-year grants from the General Research Fund (GRF) of the University Grants Committee.
He is Managing Editor of Law & Literature, which was founded as the journal of the Law and Literature movement. He serves on the editorial boards of the Critical Studies in Law, Literature and the Humanities series (Edinburgh University Press); Law and Visual Jurisprudence (Springer); the Hong Kong Law Journal; and the Asia-Pacific Journal on Human Rights and the Law. He has held visiting positions at the University of Cambridge, the National University of Singapore, and the Käte Hamburger ‘Law as Culture’ Center for Advanced Study in the Humanities in Germany.
Marco received his PhD and his law degree from the University of Cambridge, where he was an Evan-Lewis Thomas Law Scholar and a Sir Edward Youde Memorial Fellow. He also holds an LLM from Harvard Law School. He received his BA in Comparative Literature from Yale University, where he was awarded the Fox International Fellowship.
Marco’s courses include: Law and Literature; Law and Film; Law, Meaning and Interpretation; Gender, Sexuality and the Law; Constitutional Law; and Contract Law. He has been the recipient of the University of Hong Kong Outstanding Teaching Award.
Research Area
- Legal Regulation of Gender and Sexuality
- Law and Literature
- Law and Film
Research Area
- Legal Regulation of Gender and Sexuality
- Law and Literature
- Law and Film
Representative Publications
Editorships and External Positions
Monographs
Film and Constitutional Controversy: Visualizing Hong Kong Identity in the Age of ‘One Country, Two Systems’ (Cambridge University Press, 2021)
Masculinity and the Trials of Modern Fiction (Routledge: 2017)
- Penny Pether Prize, Law, Literature, and Humanities Association of Australasia
- University Research Output Prize, HKU
Edited Volumes
Law and New Media: West of Everything (with Peter Goodrich and Christian Delage) (Edinburgh University Press, 2019)
Law and the Humanities in China, 31(2) Law & Literature (2019)
Legal Marginalia (with Daniel Matthews), 11(1) Law and Humanities (2017)
The Rule of Law and the Cultural Imaginary in (Post-)colonial East Asia (with Janny Leung), 18 Law/Text/Culture (2014)
Reading the Legal Case: Cross Currents between Law and the Humanities (Routledge, 2012)
Representative Journal Articles and Book Chapters
‘Queer Temporalities and Transgender Rights: A Hong Kong Case Study’, Social & Legal Studies (2020) (DOI: https://doi.org/10.1177%2F0964663920948950)
‘The Invention of Tradition: Same-sex Marriage and its Discontents in Hong Kong’, 18(2) International Journal of Constitutional Law (2020), 539-562
‘A Ghost Story: Electoral Reform and Hong Kong Popular Theatre’, in Economies of Interpretation: Derrida, Agamben, and the Political Theology of Law, ed. by Peter Goodrich and Michel Rosenfeld (Fordham University Press, 2019), pp.272-290
‘Gay Visibility and the Law in Hong Kong’, 32(3) International Journal for the Semiotics of Law (2019), 699-713
‘Cases as Cultural Events: the Hossack Murder Trial, Privacy and Susan Glaspell’s “A Jury of Her Peers”’, in Law and Literature, ed. by Kieran Dolin (Cambridge: Cambridge University Press, 2018), pp.308-322
‘Feminist Literary Theory and the Law: Reading Cases with Naomi Schor,’ 26(2) Feminist Legal Studies (2018), 163-183
‘Legal Consciousness and Hong Kong Cinema’, 10(1) Law and Humanities (2016) 161-173
‘The Artwork of Hong Kong’s Occupy Central’, in Civil Unrest, Law and Order in Hong Kong, ed. by Michael Ng and John Wong (Routledge, 2016)
‘Ai Weiwei, Oscar Wilde, and the Art of Posing’, 9(1) Law, Culture and the Humanities (2013), 7-12
‘Stare Decisis, Binding Precedent, and Anthony Trollope’s The Eustace Diamonds’, in The Legal Case: Cross Currents between Law and the Humanities (Abingdon: Routledge, 2012), pp. 205-217
‘A Matter of Style: On Reading the Oscar Wilde Trials as Literature’, 31(4) Oxford Journal of Legal Studies (2011), 709-726
Managing Editor, Law and Literature
Editorial Board Member, Law and Visual Jurisprudence, Springer
Editorial Board Member, Edinburgh Critical Studies in Law, Literature and the Humanities, Edinburgh University Press
Articles Editor, Hong Kong Law Journal